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Schumann & insect structures

Listening to David Zinman`s customarily dynamic rendition of Schumann`s 4 symphonies with the Tonhalle Orchestra - and broadcast in the UK for the first time last week - it struck me how these works which exude spontaneity traced a natural entomological pattern my writings have been highlighting for two decades now.

Beginning with the sprung rhythms of the First Symphony - the Spring - the succeeding works in the cycle follow a clear progression from this egg that provides the impetus, through No. 2 into the 3rd - the Rhenish -which quivers with chrysalitic impatience to be realized in the final liberated 4th Symphony.

Just as Romantic poets in Britain sought to emulate the massive presence of Shakespeare, so nineteenth-century symphonists always felt Beethoven looming over them. Here in the giant span of Schumann`s symphonic progression is an instinctive emulation that remains close to the nerve-ends of the performers and listeners. The fact is that human thought and true creativity follow processes in metamorphic nature, and our experience paradoxically allows us to share a process of nature apparently alien to our species. Read More 
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